Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Friday, April 10, 2015

BEWARE THE LITTLE WHITE RABBIT Excerpt: The Aviary

The following is an excerpt from Crystal Schubert's short story. It's included in our Alice-in-Wonderland inspired anthology, BEWARE THE LITTLE WHITE RABBIT.

The Aviary 


I trail my fingers along the rough hedges. Clouds cloak the castle turrets, reaching their foggy fingers down to brush the top of the glass aviary. Echoes of our chickens bounce between the dried-out shrubbery and barren plots. The overcast sky saps any warmth from the air, and even vibrant spring sun can’t edge through.

I note the servant’s position, harvesting carrots in the small plot I built. Not much of our soil is rich enough to support food, but I’ve been rotating the crop across a few different sections of garden. Min is already on duty, holding a woven basket, his thin arms shaking under the weight. Even from here, I can tell he wants to drop the basket, but he will not. I would set the basket down, take a break, but sweet Min can deny himself every comfort if he believes someone else will benefit.

They are engaged in the harvest, and I slip through a hole in the hedge, branches scraping across my gown and snagging on my cloak, until I’m in Mother’s sanctuary. If anyone remembers this small, hidden garden is here, they’ve not said as much. I’ve not seen a soul here after Mother passed away. The fountain is green with algae, but this sanctuary has the only blossoming flowers that remain. Violets and Bleeding Hearts. They come each spring, and I think Mother is still here somewhere, willing them to sprout.

Ivy tangles around the dirty birch trellises. A thin floral scent lingers, barely detectable, but enough to dredge up the fragile memory of Mother’s skirt folds. The overgrown greenery reminds me, despite stagnancy inside the castle, life marches on.

I pull my cloak tight around me, like an embrace, and sit on a stone bench to wait.

A few moments later, the tall outer hedges rustle and then a whisper:

“Alice?”

“Diana?”

“King Jasper, King Luca, Queen Wen in a trance...”

I smile. It is Diana. I whisper back my half of the rhyme. “Ate all of the banquet and split down their pants!” 

We stifle our giggles. It’s immature, at our age, to delight in such drollery, but there’s little amusement to be found elsewhere. My hand finds hers through the prickly hedge, and we link pinkies. Her skin is velvet against mine. The first time we held hands, when we were younger, I washed ten times. I thought I brought plague into the castle, and I was up all night, watching for fever or skin lesions or ragged coughing. But now I trust Diana.

Anyway, we’ve never spoken of plague. She doesn’t ask why I’m behind these walls, and I don’t ask why she comes to visit me. I know when she first found the hedge and heard me crying in Mother’s sanctuary, she envied me for living in a fairy tale. I envied her adventures. We wove our experiences together and built beautiful stories through the hedge. Faraway lands and brave knights and lost girls.

“I thought of you yesterday,” she tells me. “I swam at Cherry Lake and anchored myself behind the waterfalls. The mist sprayed my face. I remembered what you said about missing the rain.”

“Father doesn’t like us to get cold and wet. After Mother, he worries,” I say absently as I try to imagine Diana in the lake. It’s been so long since I’ve seen waterfalls, but I can still picture them – rushing water, sliding around rocks and flinging itself off cliffs.

It’s Diana I can’t picture.



Crystal Schubert
Are you ready to meet Diana and decide if Alice should stay or go? iTunesSmashwords and Amazon are accepting orders now for BEWARE THE LITTLE WHITE RABBIT!

Wednesday, February 12, 2014

Books That Go Bump in the Night


What is our fascination with ghosts? We both fear them and also secretly hope our loved ones become one. I suppose the fear of death drives our obsession. We hate the idea of leaving this world behind after death, but we also fear those who haven’t “moved on.”

And of course, now that I’ve noticed ghosts, I seem to be seeing ghosts all around me – at least in fiction.

I have recently found myself reading a series of ghost books. There was the YA,  Lockwood & Co, and a milder, younger version of a ghost mystery, Constable & Toop. And then if that wasn’t enough, I read the thirteen stories of Spirited.

Spirited represents a wide variety of ghost stories, from those that border on horror, to those that are sweet. I liked that there were stories that could be considered contemporary, stories that could be fantasies, and everything in between.

Most ghost stories can be roughly divided into two types: those with “good” (non-threatening) ghosts and those with “bad” (threatening) ones. Of course there are works that fall in between where the threatening ghost is the good one. Anna Dressed in Blood brings that particular type of ghost into play. What’s nice is to find an anthology where all of these different types of ghost stories read smoothly together. Personally, I think an anthology where all the stories are about one type of ghost could be a fairly dull read. I like books like Spirited that mix things up.

If you are like me, then I must warn you that Spirited isn’t the kind of book to read just before bed. Threatening or not, ghost stories are still ghost stories and are best read on a beautiful, sunny day. At noon. When there are clearly no ghosts around.


ABOUT THE BLOGGER

Madeline Smoot is the publisher of Children's Brains Are Yummy Books, a micro publisher of fantasy and science fiction for children and teens.




Saturday, January 14, 2012

Fantasy Studies


Leap Books is proud to say that one of our books is considered a wonderful resource for students' fantasy studies. It is listed on this textbook site, with the following recommendation:

"For the Love of Strangers by Jacqueline Horsfall provides an excellent foundation for Fantasy studies. Jacqueline Horsfall's style is excellently suited toward Fantasy studies, and will teach students the material clearly without overcomplicating the subject... [T]his revision raises the bar for For the Love of Strangers's high standard of excellence, making sure that it stays one of the foremost Fantasy studies textbooks."

Horsfall's combination of fantasy and reality, along with her grasp of Russian mythology's deer goddess, make this a strong book for those who wish to learn more about fantasy writing. Shortlisted for the NY State Reading Association's Charlotte Award, For the Love of Strangers, is a well-crafted story that will linger in the minds and hearts of readers long after the book is put down.